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January 7, 2013 by admin

NonProfit Resources

 

Recommended Publications

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Filed Under: Temple Management

November 22, 2012 by admin

Michael Madhusudan Datta

Kedarnath Datta Bhaktivinoda

Michael Madhusudan Datta

Datta, Michael Madhusudan,
Born January 25, 1824, Sagardari, Bengal — died June 29, 1873, Calcutta. Poet and dramatist of modern Bengali literature.

Michael Madhusudan Dutt, or simply Madhusudan Datta as he was known before his conversion to Christianity, was the son of a successful Calcutta lawyer. He is important for his contributions to Bengali poetry. Madhusudan experimented ceaselessly with diction and verse forms, and it was he who introduced amitrakshara, a form of blank verse with varied caesuras, and many other original lyric styles. Madhusudan opened a new era in Bengali poetry.

The life of Madhusudan Datta was a turbulent one. He faced poverty, maltreatment and misunderstanding. Although he was a genius of a high order, he was an erratic personality. Madhusudan is a typical example of one of Bengal’s intellectual elite caught between tradition and modernity. His early conversion to Christianity is indicative of his cross-cultural condition in life.

Madhusudan’s early schooling was in Bengali and Persian. In 1837 he entered Hindu College where most of his education was in English. He remained at Hindu College until age 19 when he converted to Christianity in spite of the stiffest opposition from family, friends and community. Madhusudan was one of the most brilliant students of his class and perhaps the best English scholar of his college. At first Madhusudan’s literary career was directed towards English literature. Later he wrote in Bengali. In 1848 he moved to Madras where he worked as an English teacher. There he published his best and longest poem in English, The Captive Ladie along with other English works. The reception of his English writing was lukewarm.
In 1856 after the death of his father he returned to Calcutta where he began to write Bengali poetry. He remained in Calcutta until 1862 where he married a European woman, Henrietta and moved to Europe to prepare for the Bar. When he returned to Calcutta in 1866 he became a lawyer.

His principal Bengali works, written mostly between 1858 and 1862, include a number of dramas written in prose, long narrative poems, and many lyrics. His most important prose drama, Sarmishtha (1858), is based on an episode in Sanskrit from the Mahabharata. It was well received. His poetical works include the Tilottama-sambhava (1860), a narrative poem on the story of Sunda and Upasunda; the Meghanada-vadha (1861), an epic on the Ramayana theme; Vrajangana (1861), a cycle of lyrics on the Radha-Krishna theme; and Birangana (1862), a set of 21 epistolary poems on the model of Ovid’s Heroides. Though he was a Christian and deeply versed in English literature he never severed his link with Bengali. In particular his poetic genius continued to be deeply impressed by the Radha-Krishna stories.

Shukavak N. Dasa
Bibliography:
Sen, Sukumar. (1971). History of Bengali Literature. New Delhi: Sahitya Akademi.
Majumdar, R. C. (1978). History of Modern Bengal, 1765 to 1905. Calcutta: G. Bharadwaj and Company.

Copyright ©2002 Sanskrit Religions Institute. All Rights Reserved.

Filed Under: Kedarnath Datta Bhaktivinoda

November 16, 2012 by admin

The Feeding of the Brahmanas

Hindu Funeral Rites and Ancestor Worship [1]
Antyesti, Sraddha and Tarpana

 5. The Feeding of the Brahmanas/Honoring the Pitrs

Along similar lines it was prescribed that during a sraddha ceremony it was also required that brahmanas be fed. The brahmanas were not to be considered as mere human beings, but as representative of the pitrs. The position of thebrahmana in a sraddha rite was therefore very high and they were regularly worshiped by the performer of the sraddha. When the brahmanas ate they ate on behalf of the pitrs. Their satisfaction was the satisfaction of the fathers. Although the germ of paying homage to the brahmanas is found in the Rg-Veda, the practice of feeding brahmanas was not in practice. In the Vedic period offerings for the dead were poured directly into the fire, which then carried the food to the fathers. The feeding of brahmanas was a practice that developed from the Grhya period. In the later periods, the brahmanas even came to occupy the position of the sacrificial fire. And so food and other such articles formally offered to the pitrs began to be offered to the brahmanas as their representatives on earth. In a further extension to this idea the brahmanabegan to represent, not only the pitrs, but even Brahman Itself. Consequently, when a brahmana ate Brahman ate, which meant that the whole world also ate.

The Time for Honoring the Pitrs

 It is prescribed that the pitrs be worshiped during the dark times. As such, the new moon (amavasya), the dark side of the lunar month (krsna-paksa), the southern half of the sun’s course (daksayana),[1] the afternoon, during an eclipse, during the night, and so forth, became the times when the pitrs were to be most respected. In fact, any degree of diminution of light has come to be associated with the worship of pitrs.

The Satapatha–brahmana explains how darkness and some other details came to be selected for the worship of the dead: The gods once approached Prajapati and said, “Give us a means to live.” Thereupon the gods were properly invested with the sacred thread over the left shoulder and were taught to bend using the right knee. To the gods Prajapati said, “Sacrifice shall be your food, immortality your sap, svah your call and the sun your light.” Then the pitrs approached Prajapati wearing the sacred thread over the right shoulder and bending from the left knee. To them Prajapati said, “Your eating shall be monthly, your call shall be svadha[2] and the moon shall be your light.” In this way the harmony between the gods and the pitrs was maintained. One is worshipped in light and the other is worshipped in darkness.

The operative rule underlying most of Hindu culture is that the light of the sun was used as a symbol for knowledge and consciousness. Vastu-sastraprescribes that temples and homes must open to the rising sun in the east. Temple images should also face the east. Uttarayana, the time of increasing daylight, is considered more auspicious than daksinayana, the time of diminishing daylight. In contrast, death, which is associated with the loss of consciousness, has come to be symbolized by darkness. As the sun is an eternal source of light and so has become a symbol for God and the divine life, so the moon, has become a symbol for the cycle of birth and death. The moon regularly moves between light and darkness. Similarly, the word deva is derived from the Sanskrit root div meaning to shine. The devas are, therefore, “the shining ones.” The pitrs, on the other hand, are bathed in the light of the moon and so in this way are distinguished from the gods.

Pitr-paksa

In the Satapatha-brahmana it is stated that three seasons, the spring, the summer and the rainy season belong to the gods.[3] These three seasons together make the uttarayana or the time when the sun is on the northern course. As noted above, this is the time of increasing light in the northern hemisphere. In contrast, autumn, early winter and late winter belong to the fathers. These three seasons comprise daksinayana, the time when the sun is on the southern course. This of course is the time of failing light in the northern hemisphere. In particular, the dark side of the month of bhadrapada(September October) has been singled out as the best time for the worship of fathers.[4] A sraddha performed in this period was said to produce special merit.

The manner in which the worship of the pitrs are worshiped during the month of bhadrapada is as follows. If one’s father happened to pass away on the 5th lunar day of any month (pancami-tithi) then the 5th tithi during the dark side of the month of bhadrapada would be used for honoring one’s father and the other pitrs of the family. If one’s relative happened to pass away on the 6th tithithen the 6th tithi during the dark side of the month of bhadrapada would be used for honoring one’s father and the other pitrs. In this way, all 16 tithis of the dark side of the month of bhadrapada cover all the possible lunar days on which a family member could expire.

Copyright © Sanskrit Religions Institute 2003.
All rights reserved.


[1] Daksayana occurs when the daylight is shortest in the northern hemisphere.

[2] During a fire sacrifice (yajna) oblations are offered into the fire with two expressions,svah and svadha. Offerings made to devas are made with the sound svah and offering for thepitrs are made using the sound svadha.

[3] SB ii.1.3, 1-3.

[4] Some sastras mention that the dark side of the month of asvina should be set aside for the worship of the fathers, but this works out to be the same time period as the dark side of the month of bhadrapada. This is because in some parts of South India the lunar month is calculated from the first day of the bright fortnight to the new moon, whereas in north India the month is calculated from the first day of the dark fortnight to the full moon. In this way, the dark fortnight after the full moon of the month of bhadrapada is equivalent to the dark side of asvina.

Filed Under: Ancestor Worship

November 12, 2012 by admin

The Funeral

2. The Funeral (Antyesti) 

In Sanskrit the term antyesti refers to the final sacrifice, the last of the 16samskaras or life sacraments that mark important events in an individual’s life. The antyesti ceremony is the funeral ceremony. This samskara is performed to dispose of the dead body, to give peace to the departed soul, and to enable it to enter the world of the ancestors (pitrs). From the earliest Vedic times cremation was the most common means of disposing of a body. There is, however, written evidence that burial and post burial ceremonies also occurred during the Vedic period. The Rg and Atharva Vedas mention both burial and cremation as legitimate methods for the disposal of the dead.[1] We find evidence in theAranyakas that the burial of incinerated bones and ashes was an important and elaborate ceremony. By the Grhya and Puranic periods, however, burial and post cremation burial are hardly mentioned. Cremation had become the only orthodox method for the disposal of the dead.[2]

Here is a summary of what we know about cremation from the Rg-veda:[3]

  1.  The fire deity, Agni, was invoked to carry the departing soul to the realm of Yama, the god of death.
  2. In the case of a priest his sacrificial implements were burned along with his body.
  3. Prayers were recited to various deities in order to transfer the departing soul to the world of the pitrs.
  4. A cow or goat, known as an anustarani[4], was burned along with the body of the deceased.
  5. In the case of a deceased husband, the wife would lay on the funeral pyre along side the body of her husband. Before the fire was lighted, she would be asked to rise from the side of her husband’s body and rejoin the living.[5]

The Atharva-veda (XVIII) adds the following information:

  1. The body was dressed in new garments before cremation.
  2. Grains and sesame seeds were scattered along side the body before cremation.
  3. The pitrs were ritually invoked to attend the ceremony and invited to sit on the southern side of the fire.
  4. Streams of ghee along with prayers were offered to the pitrs during the cremation.
  5. Prayers and oblations made of rice cakes, milk, meat, whey, honey, and water were used in the worship of various gods in order to ensure long life and prosperity for the living relatives.
  6. Prayers and oblations were offered to three generations of pitrs: the father, the grandfather, and the great grandfather, during the cremation.
  7. Cakes of rice, sesame and other articles of food were buried along with the cremated bones.

It is evident from the Atharva-veda that the worship of pitrs had its origins in the earliest Vedic period.

The cremation process during the Grhya period may be summarized as follows:

  1. As soon as the person died a cremation pit called a smasana was dug. The pit was made in a fertile place inclined towards the south.
  2. All hair, including head and facial hair, was removed from the body.
  3. A funeral procession of four parts was organized. The immediate family members carried the sacred fire and the sacrificial vessels. Behind them an odd number of persons carried the dead body. Next, a cow or goat, preferably black in color, followed. Finally, the relatives and friends of the dead person followed.
  4. Once the funeral pyre had been prepared the body was placed on sacred grass that lined the inside of the cremation pit along with wood. In the case of a husband who had died, his wife would lie to the north side of his body. A brother or some other representative of the deceased would ask her to rise before the fire was lighted. The sacrificial implements used by the deceased person would also be placed alongside the body.
  5. The body would be covered with the skin of an anustarani cow or goat. If there was no animal then cakes of  rice would serve the purpose.
  6. The fire was lighted starting at the head.
  7. When the entire body had been consumed, the mourners would circumambulate in a counter-clockwise direction and then leave without looking back. They would then go and bathe.

During the Puranic period the procedures were as follows.

  1. At the time of death sacred verses were recited to revive the dead person. When these had failed the priest would announce the death. The cremation, if possible, was to be performed on the day of the death.
  2. Professional mourners would be hired, who would gather around the deceased with disheveled hair, disordered garments, and dust covered bodies and begin wailing and sobbing.
  3. The body was washed; the hair and nails were cut. The body was dressed in new garments and adorned with ornaments.
  4. The body was carried on the shoulders of relatives, or pulled in a cart, followed by mourners who would recite sacred prayers until they reached the cremation site.
  5. After arriving at the cremation site the body would be placed on the funeral pyre with the head facing the south.
  6. The chief mourner placed ghee on the body to the accompaniment of sacred prayers.
  7. All jewels and ornaments were removed from the body and a small mound of cow dung was placed on the stomach or chest. The chief mourner walked around the body three times in a counterclockwise direction while sprinkling water from an earthen vessel. The vessel was then broken on the ground near the head of the deceased.
  8. The chief mourner lighted the fire at the head to the accompaniment of prayers.
  9. Prayers were recited to direct the various parts of the deceased’s body to merge with the universal elements: the voice to the sky, the eyes to the sun, the vital breath to the wind, and so forth.
  10. After the fire has consumed the body the mourning party returned home to bathe and purify themselves with prayers for peace.
  11. Three days after the cremation the chief mourner returned to the burning area and ceremonially sprinkled the ashes with water. The ashes were later poured into the Ganges or other sacred body of water in a ceremony called visarjanam.

Current cremation practice in India generally follows this Puranic model.

Burning in Effigy (kusa-puttalika-daha)

If a person had died but the body could not be reclaimed, as in the case of a person who had drowned or had been killed in battle, it was still absolutely essential for a cremation to take place. The reason was simple: without cremation the departed soul could not begin the transition into a pitr. In lieu of a body an image could be cremated. The Bhavisya-purana describes an image made of 360 strands of kusa, a kind of sacred grass: Forty for the head, twenty for the neck, one hundred in the two arms, twenty in the chest, twenty in the belly, thirty in the hips, one hundred in the two thighs, and thirty in the knees and shanks. Another account uses a coconut for the head, a bottle gourd for the mouth, five gems for the teeth, a plantain for the tongue, two shells for the eyes, clay for the nose, plantain leaves for the ears, the shoots of the fig tree for the hair, lotus fibers for the entrails, earth and barley paste for the flesh, honey for the blood, the skin of an antelope for the skin, a lotus for the naval, eggplant for the scrotum, and tree bark for garments!

If a person became missing, but was not specifically known to be dead, as in the case of someone who had gone to a foreign land and not returned, the relatives were advised to wait 12 years before performing the cremation. In the case of a person who has been cremated in effigy, but who then returned home, the person needed to be reborn by being passed through the legs of a female and then, step-by-step, have all the purificatory ceremonies (samskaras) performed. This may even including a re-marriage if necessary.

There was also a special rite called Narayana-bali that was performed when a person had died under unusual circumstances, such as through suicide or accidental death. The Narayana-bali was atonement for the situation and made the deceased fit for receiving the regular funeral process and subsequent rites.

The Anustarani Animal

Both the Rg and the Atharva Vedas prescribe that the skin and organs of a cow or she-goat, called an anustarani animal, be burned along with the body. This was done in order to lessen the pain inflicted on the departing soul by the scorching fire. The hide of the animal covered the body. The vital organs of the animal were placed in the hands and around the body of the deceased. During the Grhya period this practice declined and by the Puranic period was stopped altogether. Instead, rice was spread around the body in lieu of the skin. During Ravana’s funeral Valmiki describes how an anustarani animal was used.

There is an interesting story in the Aitreya-brahmana that tells how rice became the substitute for the anustarani animal. “In the beginning the gods used human beings for sacrifice. Overtime the sap of life left the human being and entered the body of the horse. Thereafter, the horse became the object of sacrifice. In time this sap of life left the horse and entered the ox. The ox became the object of sacrifice. Then again when the sap of life left the ox and entered sheep, a sheep became the object of sacrifice. Soon this sap of life left the sheep and entered the goat, wherein the goat became the object of sacrifice. For a long time the goat remained the object of sacrifice. Eventually, the sap of life left the goat and entered the earth. Thereupon, the earth became rice and rice became the fit substitute for the sap of life.” Here we get the history of the sacrificial animal and the relationship between rice and the sacrificial animal.

Post cremation Burial (Pitr-medha)

 During the Vedic and early Grhya periods it was common to bury the incinerated bones of a deceased person in an urn. This was the pitr-medhaceremony. The Grhya-sutras of Asvalayana describe how the burned bones were to be collected on the third lunar day (tithi) after death. In the case of a man who had died, the bones were to be collected by elderly men and placed into a male urn. In the case of a woman, the bones were to be collected by elderly women and placed into a female urn. Urns were designed by their shape to be male or female. The performers of this ceremony were to walk three times in a counterclockwise direction around the bones while sprinkling milk and water from a particular kind of twig (sami). The bones were then placed into the urn as they were picked up individually with the thumb and fourth finger. First the bones of the feet were to be gathered and then successively the other bones were to be gathered working toward the head. After the bones had been purified and gathered they were sealed and buried in a secure location.

By the end of the Grhya period the practice of burying bones in an urn declined.

Copyright © Sanskrit Religions Institute 2003.
All rights reserved.


[1] RV X 18 10-13/X 15 14

AV XVIII 2, 19-20, 25, 34

[2] There were two notable exceptions to this rule, namely, children under the age of two and prominent religious leaders, both of whom could be buried.

[3] See RV hymns X 14 to Yama and X 15 to the pitrs.

[4] Anustarani is derived from str, which means to stretch out or cover.

[5] This suggests that that the practice of wife burning (sati) was not in practice during the Vedic age.

Shukavak N. Dasa

Filed Under: Ancestor Worship

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